Onodera Yuriko sets off for Sweden where her husband, Major General Onodera Makoto, is stationed as a military attache in Stockholm during World War II. Called the "god of intelligence", Makoto is an intelligence officer of the Russian service of the Japanese Army General Staff. Fluent in Russian and German and trusted by the spies of many countries because of his integrity, his office would eventually become the most important Japanese intelligence post in Europe. From the day of her arrival in Stockholm, Yuriko helps her husband's intelligence activities. She encrypts the highly classified information obtained by Makoto and sends it in coded telegrams to the General Staff Headquarters in Japan every day. Husband and wife have jointly undertaken this intelligence work for confidentiality.

A tribute to the life and music of John Prine featuring family and friends sharing memories and songs while raising money for several charitable organizations.

When antique lover, Brit, is gifted a vintage polaroid camera, every flash summons a malignant demon closer to its target... her.

Dreams and hopes we had when we were young. Are they just dreams frozen like still pictures? Hyeonsu has been a part-time lecturer for 10 years. He used to dream of becoming a photojournalist but now his only dream is to become a full-time professor. But he has no financial ability to look good to other professors. He’s been married for 10 years and his wife is his only family. Eunsu appears in front of him after 20 years. She’s the one who taught him to take photos and also his first love. He’s shaken by her but finds out that she’s also applying for the full-time professor position he’s longing to get…

Solitary men in a roomy but empty cinema, ever-present smartphones and pop-up sexual intimations coalesce in a raunchy yet incisive portrait of Manila’s evolving queer space.

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In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…

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In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…

Solitary men in a roomy but empty cinema, ever-present smartphones and pop-up sexual intimations coalesce in a raunchy yet incisive portrait of Manila’s evolving queer space.